Protean Slip explores the ways that  extremely complex textures (like those of Ligeti and Lutoslawski) can be combined with propulsive, additive rhythms (like those of Stravinsky or John Adams).  The entire piece is constructed out of tiny building-blocks that are assembled bit by bit, much like in a mosaic.  This results in a musical texture that is constantly changing - hence the reference in the title to Proteus.  In contrast to this micro-process is the overall dramatic shape of the piece, which often shifts suddenly in unexpected directions  - like the way a so-called "Freudian slip" of the tongue can dramatically alter a coversation..

Protean Slip was commissioned by the Yale Symphony Orchestra in 1996.  The commission was the prize for being named co-winner of the annual YSO composition competition. 

1997:   Yale Symphony Orchestra, Shinik Hahm, conductor